What an honor to be invited to participate as a Guest Artist for The Documented Life Project. These girls have been inspiring artists for almost two years with their wonderful art and generous weekly challenge site. When Roben-Marie sent my assignment back in January I was thrilled. Stamps, Stencils & Masks are right up my alley. Not only do I love using retail products, but I also love to custom make all of these tools for making art. I have tutorials on both Stamp Carving and Stencil Cutting if the process is new to you or you want a refresher.
A few words about process....I love to work spontaneously, with no plan, no agenda. But I also love thinking about a project in specific detail, especially if I have an assignment. I make notes and some sketches, and try to discern what I want to express, or more importantly, what is channeling into my thoughts after being prompted with a subject. I love being immersed in the pre-project-thought-process as you give consideration to all the ways your ideas could be manifested. Here are my notes from January:
Last week I revisited the prompts, handcarved stamp and tapestry, and still found myself focused on a mental visual of the things I jotted down earlier in the year. Tapestry > foliage > trees > leaves > Autumn.
This is what I imagine when I think Tapestry. Woven, worn, rich. Lots of color, but a subtle range.
A word that kept repeating itself in my notes - Autumn. A strong influence - we are in full Fall colors here.... although most leaves are now on the ground. I am drawn in by the vibrant colors....especially the reds. I have a favorite quote that I think I will include. We'll see.
So how to interpret this through my own filters, with my own style? Make a few color selections and build a palette, then draw a few things that could be transferred to soft block and carved. Then start painting and see what happens.
The tree I carved is 4" with alot of intricate details so there may be an issue getting a good imprint on a page that has already been layered with gesso and acrylic. Going into this I knew that I wouldn't attempt to stamp the entire tree directly on the page. Through an experience of working on a project with a large (12" x 12") carving, I stumbled upon a trick that I like to rely on when applying an image to a page. Pre-paint loose paper (I used gessoed tissue paper) then stamp with black paint onto several sheets (paint on paint is better than ink on paint). Cut up all the "good" portions and splice together to recreate the image. It's like a paper quilt and makes the composition more interesting. Here is the piece where I learned my lesson of layering, 12" square framed collage painting made from a carved stamp:
My plan was to be tapestry-like but I ended up more quilt-like. This is a good example of how you can take inspiration from a prompt and have some loose intentions, then let the piece begin to work itself out while you are in-process.
I really admire these girls for launching their challenge site in 2014, then beginning again with weekly prompts for 2015. Having hosted my own monthly challenge site for six years I know how much work it is AND I know how much it means to get feedback. It's validating and encouraging. So be sure to chime in when you visit their site and offer your kind words.
Again, here is the link to The Documented Life Project: Art to the 5th Stop by and see what magic the hostesses have conjured up for this week's prompt.
For those who have served and for those who are serving, thank you.
Last year's display of poppies in England is worth revisiting. The English still honor vets with poppies. I was saying last year that I rarely see them here.
The first photo is from 2012 - we were in the UK just before 11/11 and poppies were everywhere. The next grouping chronicles the amazing ceramic poppies (888,246) that were installed at the Tower of London.